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It may include glass or nacre pieces and be hung indoors near a window to "catch" sunlight. [1] [additional citation(s) needed] A suncatcher is like the optical equivalent of a wind chime. Some designs are simple and abstract with perhaps some mobile-like chained elements, while more complex designs often evoke flora or fauna. Many designs ...
Detail of 12th-century stained glass window in Strasbourg Cathedral; black and white paint has been used on the coloured glass. Secondly it refers to stained glass, used for windows. Here the design is made up using sheets of coloured glass, cut to shape and held in place by lead. The painting is the final stage, typically only in black. [2 ...
The colored glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
Willement became a leading and proficient stained-glass artist, reviving the medieval method of composing a window from separate pieces of coloured glass rather than painting pictures on glass with coloured enamels. [3] Willement married Katharine Griffith in 1817. Their son, Arthur Thomas, was born in 1833 and died at Oxford in 1854, aged 21 ...
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
The stained glass window depicts a black man, arms outstretched, reminiscent of the crucifixion of Jesus; it was sculpted by John Petts, who also initiated a campaign in Wales to raise money to help rebuild the church. [40] Photographer Robert Mapplethorpe's 1975 self-portrait shows the artist, nude and smiling, posed as if crucified.
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