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It may include glass or nacre pieces and be hung indoors near a window to "catch" sunlight. [1] [additional citation(s) needed] A suncatcher is like the optical equivalent of a wind chime. Some designs are simple and abstract with perhaps some mobile-like chained elements, while more complex designs often evoke flora or fauna. Many designs ...
Whole window. Saint Thomas Becket window in Chartres Cathedral is a 1215–1225 stained-glass window in Chartres Cathedral, located behind a grille in the Confessors' Chapel, second chapel of the south ambulatory. 8.9 m high by 2.18 m wide, it was funded by the tanners' guild. [1]
Willement became a leading and proficient stained-glass artist, reviving the medieval method of composing a window from separate pieces of coloured glass rather than painting pictures on glass with coloured enamels. [3] Willement married Katharine Griffith in 1817. Their son, Arthur Thomas, was born in 1833 and died at Oxford in 1854, aged 21 ...
Using the language of colour and changing harmonies according to the time of day, the stained glass windows formed a doxological liturgy, a canticle whose words were the images, a metaphor first used by Pope Honorius III in his 1219 letter to Stephen Langton - "That the happy church at Canterbury may thus sing a new song to the Lord".
Stained Glass- an Illustrated History, Bracken Books, ISBN 1-85891-157-5; Painton Cowen (1985). A Guide to Stained Glass in Britain, Michael Joseph, ISBN 0-7181-2567-3; Husband, TB (2000). The Luminous Image: Painted Glass Roundels in the Lowlands, 1480-1560, Metropolitan Museum of Art; Lawrence Lee, George Seddon, and Francis Stephens (1976).
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
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