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Fifty Fifty debuted on November 18, 2022, with their extended play (EP) The Fifty. They experienced a commercial breakthrough with their viral hit single " Cupid ". The single, which was released in February 2023, made Fifty Fifty the fastest K-pop group to enter the US Billboard Hot 100 and UK Singles Chart , within four months of debut. [ 1 ]
Love Tune is the second extended play by South Korean girl group Fifty Fifty and first release since their re-organization as a five member group. It was released by Attrakt on September 20, 2024 and contains six tracks, including the lead single "SOS" and the pre-release single "Starry Night".
Kim Ye-won (born December 5, 1989), also known mononymously as Yewon, is a South Korean actress, singer and entertainer. She was a former member of K-pop girl group Jewelry from 2011 until disbanded in 2015.
Some of the best rock, pop, jazz and country albums were released in 1971, including classics by David Bowie, Dolly Parton, Led Zeppelin, and Miles Davis. These albums all turn 50 years old in 2021.
"Starry Night" is a song recorded by South Korean girl group Fifty Fifty from their second extended play, Love Tune (2024). [1] It was released on August 30, 2024 through Attrakt as a pre-release single from the EP. It marked Fifty Fifty's first release following their reorganization into a five-member group. [2]
On November 14, 2022, Attrakt announced the debut of girl group Fifty Fifty by releasing the group's official logo image on their social media accounts. [1] The same day, a pre-released music video for the song "Lovin Me" was released on their official YouTube channel. [2]
Jason Momoa has a big idea for a 50 First Dates sequel. The 44-year-old actor appears on Wednesday's episode of The Drew Barrymore Show, and tells the host what he envisions for a follow-up to her ...
So Seung-geun of IZM gave "Cupid" 4.5 out of 5 stars, writing that Fifty Fifty had found their own color. [29] Music critic Kim Yoon-ha from Yes24 noted how "Cupid" highlighted the vocals, putting them to the forefront instead of considering the voice as one of several instruments, stating that this approach reminded Kim of the Korean songs of the late 2000s rather than modern K-pop. [30]