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In 2005, Eric Frederic began experimenting with music that emphasized the effects of auto-tune, an approach which was, at the time, still relatively uncommon. [3] Frederic named this solo project Wallpaper, and developed the alter-ego of Ricky Reed as Wallpaper's lead singer; Reed was described as rude, reckless, and irresponsible, and was intended to personify everything Frederic disliked ...
Music critics praised Disco for its production quality, catchiness, fun nature, and innovative approach to disco music. Since its release, the album has received numerous nominations and awards, as well as inclusion on various end-of-year critics lists.
This is a list of artists primarily associated with the disco era of the 1970s and some of their most noteworthy disco hits. Numerous artists, not usually considered disco artists, implemented some of the styles and sounds of disco music, and are also included.
Numerous artists, not usually considered disco artists, implemented some of the styles and sounds of disco music, and are also included. This includes artists who have either been very important to the genre or have had a considerable amount of exposure (such as those that have been on a major label).
Nu-disco is a 21st-century dance music genre associated with the renewed interest in 1970s and early 1980s disco, [132] mid-1980s Italo disco, and the synthesizer-heavy Euro disco aesthetics. [133] The moniker appeared in print as early as 2002, and by mid-2008 was used by record shops such as the online retailers Juno and Beatport. [ 134 ]
After the Rex Club performance, Stardust worked on "Music Sounds Better With You" at Bangalter's home studio, Daft House, for six days. [9] [10] They arranged it using a Rhodes piano, a Roland TR-909 drum machine, a bassline recorded on a Korg Trident, and an Ensoniq ASR-10 sampling keyboard, triggering different sections by assigning them to different keys.
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A Night at Studio 54 is a double album that features 17 disco tracks popularized and played regularly at Studio 54; according to music critic Robert Christgau, the album includes all of disco's AM radio crossover successes "plus major floor hits." [9] Rubell described the album as "the equivalent of a night at Studio 54."
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