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An Anglican bishop in choir dress: purple cassock, rochet, red chimere and cuffs, tippet, and pectoral cross. Choir dress in Anglicanism traditionally consists of cassock, surplice and scarf (or tippet). [n 1] An academic hood may also be worn. Since 1964 in the Church of England, a cope may be worn at the discretion of the minister. [2]
The traditional design of the dress mimics the design of a bride's wedding dress relating to the historic view of young women in the church. [4] Today, however, wearing the traditional Confirmation dress is not always enforced or expected. Rather, simple white garments, robes, or white dresses that vary from the traditional design are often worn.
A Roman Catholic deacon exhibiting a dalmatic and a biretta during a service in the Traditional Latin Rite Ornately embroidered dalmatic (shown from the back with a collarin) The dalmatic is a long, wide-sleeved tunic , which serves as a liturgical vestment in the Catholic , Lutheran , Anglican , United Methodist , and some other churches.
A distinction is often made between the type of vestment worn for Holy Eucharist or Holy Communion and that worn for other services. Non-Eucharistic vestments are typically referred to as " choir dress " or "choir habit" in the Roman Catholic, Orthodox, and Anglican churches, because they are worn for the chanting of the Daily Office , which ...
The color of the mozzetta, which is only worn over a cassock and sometimes other choral vestments, represents the hierarchical rank of the person wearing it.Cardinals wear a scarlet mozzetta, while bishops and those with equivalent jurisdiction (e.g., apostolic administrators, vicars apostolic, exarchs, prefects apostolic, territorial prelates, and territorial abbots, if not bishops) wear an ...
A nun of the Poor Clares of Perpetual Adoration in her cloister Traditional Catholic nuns. The religious habits of Catholic nuns typically consist of the following elements: Tunic: This is the central piece of the habit. It is a loose dress made of serge fabric pleated at the neck and draping to the ground. It can be worn pinned up in the front ...
Heavenly Bodies: Fashion and the Catholic Imagination at The Metropolitan Museum of Art. Andrew Bolton, the Curator in Charge of The Costume Institute since 2015, spoke of the intention behind the exhibition: "Throughout the history of the Catholic Church, dress has affirmed religious allegiances, asserted religious differences, and functioned to distinguish hierarchies as well as gender.
They teach that the wearing of plain dress is scripturally commanded in 1 Timothy 2:9–10, 1 Peter 3:3–5, and 1 Corinthians 11:5–6, [5] in addition to being taught by the early Church Fathers. [5] Indeed, in the early Christian manual Paedagogus, the injunction for clothing to extend past the knees was enjoined. [6]
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