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A second person lies flat on the table with their head descending into another hole, and their neck may be dressed with "a little dough kneded with bul/locks bloud" for effect. [3] A decapitation illusion involving the apparent beheading of two boys and a dove was also recorded as being performed by Jacob Philadelphia in 1765. [4]
The sawing illusion has had a prominent role in the history of such battles and has thus contributed to case law. In September 1921, motivated by concerns about preventing competition from other magicians who might copy him, Horace Goldin forwent secrecy and applied for a patent for Sawing a woman in half .
The box is squeezed - sometimes by spinning a wheel - pushing both ends towards the middle until the person's head is right next to their feet. Both head and feet move throughout, and at the end the box is stretched back out and the person emerges unscathed. [1] [2]
As the name implies, stage illusions are distinct from other types of magic in that they are performed a considerable distance away from the audience, usually on a stage, in order to maintain the illusion. [1] Stage illusions usually use large props and may involve the use of assistants or large animals. [2]
There are everyday examples of hidden faces, they are "chance images" including faces in the clouds, figures of the Rorschach Test and the Man in the Moon. Leonardo da Vinci wrote about them in his notebook: "If you look at walls that are stained or made of different kinds of stones you can think you see in them certain picturesque views of mountains, rivers, rocks, trees, plains, broad ...
A levitation illusion is one in which a magician appears to defy gravity by making an object or person float in the air. The subject may appear to levitate unassisted, or it may be performed with the aid of another object (such as a silver ball floating around a cloth) in which case it is termed a "suspension".
Arbitrarily complex braid patterns can be done in cable knitting, with the proviso that the wales must move ever upwards; it is generally impossible for a wale to move up and then down the fabric. Knitters have developed methods for giving the illusion of a circular wale, such as appear in Celtic knots, but these are inexact approximations ...
The head-down illusion involves a sudden linear deceleration (air braking, lowering flaps, decreasing engine power) during level flight where the pilot perceives the illusion that the nose of the aircraft is pitching down. The pilot's response to this illusion would be to pitch the nose of the aircraft up.
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