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The Epitaphios (Greek: Ἐπιτάφιος, epitáphios, or Ἐπιτάφιον, epitáphion, meaning "upon the tomb"; Slavonic: Плащаница, plashchanitsa; Arabic: نعش, naash) is a Christian religious icon, typically consisting of a large, embroidered and often richly adorned cloth, bearing an image of the dead body of Christ, often accompanied by his mother and other figures ...
Officium Defunctorum was composed for the funeral of the Empress Maria. She died on February 26, 1603, and the great obsequies were performed on April 22 and 23. After Victoria made revisions and published Officium Defunctorum in 1605, he added a dedication to Margret, Maria's daughter. This piece was also Victoria's last composition before he ...
Musikalische Exequien, Op. 7, SWV 279–281, is a sacred funeral music that Heinrich Schütz wrote in 1635 or 1636 for the funeral services of Count Henry II, Count of Reuss-Gera, who had died on 3 December 1635.
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The service is composed of Psalms, ektenias (litanies), hymns and prayers. In its outline it follows the general order of Matins [note 2] and is, in effect, a truncated funeral service. Some of the most notable portions of the service are the Kontakion of the Departed [note 3] and the final singing of "Memory Eternal" (Slavonic: Vyechnaya Pamyat).
The funeral of Queen Mary II (30 April 1662 – 28 December 1694) in Westminster Abbey was not until 5 March 1695. Purcell composed a setting of the sixth of the seven sentences of the Anglican Burial Service ("Thou Knowest Lord", Z. 58C) for the occasion, together with the March and Canzona, Z. 780. [1]
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