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The poem, initially untitled in manuscript form, was only published posthumously in Walter Hooper's critical edition The Collected Poems of C.S. Lewis, and is entitled therein "Reason". [1] It has been suggested that a more correct title would be "Reason and Imagination". [2]
Surprised by Joy: The Shape of My Early Life is a partial autobiography published by C. S. Lewis in 1955. The work describes Lewis's life from very early childhood (born 1898) until his conversion to Christianity in 1931, but does not go beyond that date. [1] The title comes from William Wordsworth's poem "Surprised by Joy".
"The war, the whole of life, everything tended to seem pointless. We needed, many of us, a key to the meaning of the universe. Lewis provided just that." [53] The youthful Alistair Cooke was less impressed, and in 1944 described "the alarming vogue of Mr. C.S. Lewis" as an example of how wartime tends to "spawn so many quack religions and ...
Poetry is increasingly believed to be the “expression of personality” rather than writing on a topic, and that is the personal heresy. Lewis disagrees, stating that poetry is not a representation of a personality. This tendency appears not only in poetry, Lewis writes, but also in advertising and in reputable criticism.
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Poetry by C. S. Lewis" The following 4 pages are in this category, out of 4 ...
Clarence Irving Lewis (April 12, 1883 – February 3, 1964) was an American academic philosopher. He is considered the progenitor of modern modal logic and the founder of conceptual pragmatism. [5] First a noted logician, he later branched into epistemology, and during the last 20 years of his life, he wrote much on ethics.
Spirits in Bondage: A Cycle of Lyrics (1919) was C. S. Lewis's first published work (originally published under the pseudonym Clive Hamilton, which is Lewis' first name followed by his mother's maiden name). Lewis was 20 years old and had just returned from military service in the First World War.
The focus, however, is on English works: the poems of Chaucer, Gower's Confessio Amantis and Usk's Testament of Love, the works of Chaucer's epigones, and Spenser's Faerie Queene. The book is ornamented with quotations from poems in many languages, including Classical and Medieval Latin, Middle English, and Old French. The piquant English ...