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Unsigned, the painting is attributed to de Arellano due to the wide variety of flowers scientifically portrayed, the precise underdrawing and the quite free arrangement of them with the petals (especially those of the red and white tulip at bottom left) seemingly troubled by a breeze, though the inclusion of a dahlia and orange blossom is rare ...
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Flowers in a glass vase on a balustrade with colunnade: 1689: 79:25: San Diego Museum of Art: San Diego, CA Spray of flowers with insects and butterflies on a marble slab: 1690s: 36.6 cm x 30.4 cm: PD.38-1975: Fitzwilliam Museum: Cambridge Posy of flowers, with a red admiral butterfly, on a marble ledge: ca. 1695: 34.5 cm x 27.3 cm: Private ...
Edelweiss flowers study, Henri Bergé, 20th century, musée de l'École de Nancy.. Bergé's works demonstrate a precise study of plants. Christophe Bardin describes Henri Bergé's observational work as "a direct observation of nature through traveling the surrounding countryside or using the botanical gardens and greenhouses of Nancy to discover more exotic species, followed by a drawing process."
Wen Shu may have chosen flora in particular for their commercial aspect as new paintings of flowers were in demand. [9] This is supported by the fact her work seldom carries poems or dedications: the absence of these is an indicator of work for commercial clients.
Butterflies is a series of paintings made by Vincent van Gogh in 1889 and 1890. Van Gogh made at least four paintings of butterflies and one of a moth . The metamorphosis of the caterpillar into a butterfly was symbolic to Van Gogh of men and women's capability for transformation.
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For example, sometimes the butterfly is resting on a flower stem, or on the edge of a table with a flower vase, or on a book. The butterfly was used as a device to draw the viewer's attention into the painting and into van Oosterwijck's artistic vision. [8] The butterflies are also symbolic of Christ's resurrection. [17]
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