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For example, a drummer may fill in the end of one phrase with a sixteenth note hi-hat pattern, and then fill in the end of the next phrase with a snare drum figure. In drumming, a fill is defined as a "short break in the groove —a lick that 'fills in the gaps' of the music and/or signals the end of a phrase.
Two water drums. Water drums are a category of membranophone characterized by the filling of the drum chamber with some amount of water to create a unique resonant sound. Water drums are used all over the world, but are found most prominently in a ceremonial as well as social role in the Indigenous music of North America, as well as in African music.
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Linear drumming is a drum kit playing style in which no drum, cymbal, or other drum component hits simultaneously. Unlike other forms of time keeping and fills, there is no layering of parts. For example, if playing a cymbal, no other drum set voice, such as a snare or bass drum, would be hit at the same time.
A drum fill is used to "fill in" the space between the end of one verse and the beginning of another verse or chorus. Fills vary from a simple few strokes on a tom or snare, to a distinctive rhythm played on the hi-hat, to sequences several bars long that are short virtuosic drum solos. As well as adding interest and variation to the music ...
A bedug is a large double-headed drum [2] with water buffalo or cow leather on both ends. [3] [1] Unlike the more frequently used kendang, the bedug is suspended from a frame and played with a padded mallet. The bedug is as large as or larger than the largest kendang and generally has a deeper and duller sound.
Actually, being a water jug with an additional hole, it was played by Igbo women for ceremonial uses. [2] Legend says that the Udu drum was made accidentally because a punched hole was on the side, making it useless. Instead of throwing it away, the owner started to drum it. [3]
One Drop drum pattern, half-time variant [3] [1] [5] Play ⓘ.Also typical ska pattern. [4]One drop rhythm is a reggae style drum beat.. Popularized by Carlton Barrett, long-time drummer of Bob Marley and the Wailers, [6] the creator is disputed, and it has been attributed to drummers including Barrett, [7] [8] and his brother Aston, [9] and Winston Grennan.