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In present day China, the Sanxing and other Chinese folk deities continue to be perceived as powerful carrier of good fortune. [2] The Queen Mother of the West , Xi Wangmu, who is often figured in Chinese stories, is associated with symbols of longevity in Chinese arts as the peaches of immortality are believed to grow in her celestial peach ...
Chinese dragons continued to be used in the Qing dynasty in the imperial and court clothing. [1] [12] The types of dragons and their numbers of claws were regulated and prescribed by the imperial court. [1] When Chinese dragons are enclosed in roundels, they are referred as tuanlong (团龙); they can also be enclosed in mandarin square (buzi ...
Song dynasty silk tapestry wrapper from the Admonitions Scroll of Gu Kaizhi, with a design of a peony among hydrangeas. Kesi (simplified Chinese: 缂丝; traditional Chinese: 緙絲; pinyin: kèsī) is a technique in Chinese silk tapestry. It is admired for its lightness and clarity of pattern.
Hand-painted Chinese wallpaper showing a funeral procession, made for the European market, c. 1780. In 1712, during the reign of Queen Anne, a wallpaper tax was introduced which was not abolished until 1836. By the mid-18th century, Britain was the leading wallpaper manufacturer in Europe, exporting vast quantities to Europe in addition to ...
Chinese character Qi (气), Spring and Autumn period The clouds physical characteristics (being wispy and vaporous in nature) were associated with the Taoist concept of qi (气; 氣), especially yuanqi, [3]: 133 and the cosmological forces at work; [1] [note 4] i.e. the yuanqi was the origins of the Heavens and Earth, and all things were created from the interaction between the yin and yang.
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Qingyang sachet, also known as "chu chu" or "shua huo" (hidden stitch) is a folk custom of Qingyang, Gansu, China.Sachets are created from small pieces of silk, which are embroidered with colorful strings in a variety of patterns according to papercutting designs.
As with calligraphy, the most popular materials on which paintings are made are paper and silk. The finished work can be mounted on scrolls, such as hanging scrolls or handscrolls. Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media. The two main techniques in Chinese painting are:
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