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Pages in category "Films directed by Hirokazu Kore-eda" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes .
Hirokazu Kore-eda (是枝 裕和, Koreeda Hirokazu, born 6 June 1962) is a Japanese film director, producer, screenwriter, and editor. He began his career in television and has since directed more than a dozen feature films , including Nobody Knows (2004), Still Walking (2008), and After the Storm (2016).
“Monster,” Hirokazu Kore-eda, Japan Described by Variety critic Peter Debruge as a “convoluted portrait of a pre-teen in turmoil,” Kore-eda ‘s Palme d’Or best script and Queer Palm ...
The following table lists known estimated box office ticket sales for various high-grossing films that have sold at least 100 million tickets worldwide. Note that some of the data are incomplete due to a lack of available admissions data from a number of box office territories. Therefore, it is not an exhaustive list of all the highest-grossing ...
It premiered on 11 September 1998 at the 1998 Toronto International Film Festival and distributed in over 30 countries, bringing international recognition to Kore-eda's work. [4] The film was also shown at the 1998 San Sebastián International Film Festival, where it won the FIPRESCI prize "for its universal theme, its empathy for nostalgia and ...
I Wish (奇跡, Kiseki, lit. Miracle) is a 2011 Japanese film edited, written, and directed by Hirokazu Kore-eda. [2] This film stars real-life brothers Koki Maeda and Oshiro Maeda, along with veteran actress Kirin Kiki and actor Joe Odagiri.
Kore-eda had previously become acquainted with Song and Gang at various film festivals, while he met Bae on the set of his 2009 film, Air Doll. [5] Kore-eda has described Broker as being a companion piece to his 2018 film Shoplifters, with the two films sharing a thematic interest in social outcasts who come together to form unconventional ...
The following is a list of the highest-grossing openings for non-English films. Since films do not open on Fridays in many markets, the 'opening' is taken to be the gross between the first day of release and the first Sunday following the film's release. Only films that have to an opening above $50 million qualify for the list.