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Pages in category "Films directed by Hirokazu Kore-eda" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes .
Hirokazu Kore-eda (是枝 裕和, Koreeda Hirokazu, born 6 June 1962) is a Japanese film director, producer, screenwriter, and editor. He began his career in television and has since directed more than a dozen feature films , including Nobody Knows (2004), Still Walking (2008), and After the Storm (2016).
Included on the list are charts of the top box-office earners (ranked by both the nominal and real value of their revenue), a chart of high-grossing films by calendar year, a timeline showing the transition of the highest-grossing film record, and a chart of the highest-grossing film franchises and series. All charts are ranked by international ...
“Monster,” Hirokazu Kore-eda, Japan Described by Variety critic Peter Debruge as a “convoluted portrait of a pre-teen in turmoil,” Kore-eda ‘s Palme d’Or best script and Queer Palm ...
The following is a list of the highest-grossing openings for non-English films. Since films do not open on Fridays in many markets, the 'opening' is taken to be the gross between the first day of release and the first Sunday following the film's release. Only films that have to an opening above $50 million qualify for the list.
The Academy Award for Best International Feature Film (formerly known as Best Foreign Language Film prior to 2020) is handed out annually by the U.S.-based Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States of America with a predominantly non-English dialogue track.
In October 2020 (after the reopening film industry), a Japanese anime film Demon Slayer: Mugen Train based on the Demon Slayer: Kimetsu no Yaiba manga series broke all box-office records in the country, becoming the highest-grossing film of all time in Japan, the highest-grossing Japanese film of all time and the highest-grossing film of 2020.
The site's consensus reads: "Hirokazu Kore-eda's film may seem modest at first, but this family drama casts a delicate, entrancing spell". [2] Metacritic ranked the film at 89%, which was based on 21 reviews. [3] In a Chicago Sun-Times review, Roger Ebert gave the work four stars and touted that Kore-eda is an heir of Yasujirō Ozu. [4]