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In music, Op. 168 stands for Opus number 168. Compositions that are assigned this number include: Compositions that are assigned this number include: Saint-Saëns – Bassoon Sonata
The Bassoon Sonata in G major, Op. 168, was written by Camille Saint-Saëns in 1921 as one of his last works. This bassoon sonata is the last of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Oboe Sonata (Op. 166) and the Clarinet Sonata (Op. 167), written the same year.
Violin Sonata No. 3 in A major, Op. 41; Violin Sonata No. 4 in C major, Op. 72 (gave rise to a scandal at its premiere with a work by Ludwig Thuille) Violin Sonata No. 5 in F-sharp minor, Op. 84; Violin Sonata No. 6 in D minor, Op. 103b/1; Violin Sonata No. 7 in A major, Op. 103b/2; Violin Sonata No. 8 in E minor, Op. 122
3 Pieces for guitar and fortepiano, Op. 10; Sonatina, Op. 68 and Op. 70 (or for violin and piano) Sonata, Op. 71; Variations sur un theme favori de Rode, Op. 97; Grande Sonate brillante, Op. 102; 4 Leichte und angenehme Rondino, Op.140; 6 Ecossaises; Pezzi Facili; Andante con Espressione
Sonata in B ♭ major, Op. 24, No. 2 – The melody from this sonata was used by Mozart in his "Magic Flute" Overture. Sonata in E ♭ , Op. 24, No.3 Sonata in G, Op. 25, No.2
The Sonatina in G major for violin and piano (Czech: Sonatina G dur pro housle a klavír), Op. 100, B. 183, was written by Antonín Dvořák between November 19 and December 3, 1893, in New York City. It was the last chamber composition he wrote during his sojourn in the United States.
Three Sonatinas for Violin and Piano, Op. 137. Sonatina in D major, D 384 (Op. 137 No. 1) Sonatina in A minor, D 385 (Op. 137 No. 2) Sonatina in G minor, D 408 (Op. 137 No. 3) Sonata or (Grand) Duo in A major for Violin and Piano, D 574 (Op. 162) Rondo (Brillant) in B minor for Violin and Piano, D 895 (Op. 70)
Camille Saint-Saëns's Oboe Sonata in D major, Op. 166 was composed in 1921, the year of the composer's death.. This sonata is the first of the three sonatas that Saint-Saëns composed for wind instruments, the other two being the Clarinet Sonata (Op. 167) and the Bassoon Sonata (Op. 168), written the same year.
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