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In the field of literary theory, geocriticism is an interdisciplinary method of literary analysis that focuses not only on such temporal data as relations between the life and times of the author (as in biographical criticism), the history of the text (as in textual criticism), or the story (as studied by narratology), but also on spatial data.
Those, in turn, may suggest non-spatial meanings (e.g. up is better, down is worse as in the case of a social hierarchy of H.G. Wells' The Time Machine and the Morlocks and the Eloi): Literary space represents an author's model of the world, expressed in the language of spatial representation.
The visual mode conveys meaning via images and the visible elements of a text such as typography and color. The aural mode refers to sound in the form of music, sound effects, silence, etc. The linguistic mode includes written and spoken language. The spatial mode focuses on the physical arrangement of elements in a text.
Visual rhetoric or “visual modes of representation” has been present in composition (college writing) courses for decades but only as a complementary component “for writing assignments and instructions” since it was considered as “a less sophisticated, less precise mode of conveying semiotic content than written language.” [3] Nevertheless, many experts in composition studies ...
Robert T. Tally Jr. is a professor of English at Texas State University.His research and teaching focuses on the relations among space, narrative, and representation, particularly in U.S. and comparative literature, and he is active in the emerging scholarly fields of geocriticism, [1] literary geography, [2] and the spatial humanities. [3]
It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world [1] or milieu to include a context (especially society) beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour.
In architecture, spatial design, literary theory, and film theory—affective atmosphere (colloquially called atmosphere) refers to the mood, situation, or sensorial qualities of a space. [1] Spaces containing atmosphere are shaped through subjective and intersubjective interactions with the qualia of the architecture. [2]
Magical realism, magic realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. [1]