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The Conversion of Saint Paul, Luca Giordano, 1690, Museum of Fine Arts of Nancy The Conversion of Saint Paul, Caravaggio, 1600. The conversion of Paul the Apostle (also the Pauline conversion, Damascene conversion, Damascus Christophany and Paul's "road to Damascus" event) was, according to the New Testament, an event in the life of Saul/Paul the Apostle that led him to cease persecuting early ...
The Conversion of Saul is a fresco painted by Michelangelo Buonarroti (c. 1542–1545). It is housed in the Pauline Chapel (Capella Paolina), Vatican Palace, in Vatican City. This piece depicts the moment that Saul is converted to Christianity while on the road to Damascus. Pope Paul III commissioned the work for the chapel of his namesake. The ...
A painting that Caravaggio must have known was a very unusual Conversion which Moretto da Brescia painted for the Mint of Milan in 1540–41. This scene consists only two figures: Saul and his horse, and the horse strangely dominates the painting. [15] Moretto was probably inspired by a similar Conversion attributed to Parmigianino (1527).
The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul. Another is The Conversion of Saint Paul on the Road to Damascus, in the Cerasi Chapel of Santa Maria del Popolo.
Printable version; In other projects ... Pages in category "Paintings of the Conversion of Saint Paul" The following 9 pages are in this category, out of 9 total ...
Michelangelo's two frescoes in the Cappella Paolina, The Conversion of Saul and The Crucifixion of St Peter were painted from 1542 to 1549, the height of his fame, but were widely viewed as disappointments and even failures by their contemporary audience. They did not conform to the compositional conventions of the time and the subject-matter ...
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Saul then gathers together his knights and servants, who agree to follow him. There follows a comic scene, not present in other versions of the Conversion, between one of Saul's servants and an hostler, who ready a horse which Saul then rides off on. Poeta re-enters to "mak a conclusyon" of this first station, and again the stage direction ...