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Embinder re-appropriated Gainsborough's Blue Boy from the funny pages and transformed a derogatory stereotype into an emblem of pride. [12] Among the gay artists who have embraced The Blue Boy as a symbol of gay emancipation are Robert Lambert (a member of Les Petites Bon-Bons), Howard Kottler, and Léopold Foulem. [13]
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Pages in category "Portraits by Thomas Gainsborough" The following 21 pages are in this category, out of 21 total. ... The Blue Boy; G. Portrait of David Garrick;
Thomas Gainsborough RA FRSA (/ ˈ ɡ eɪ n z b ər ə /; 14 May 1727 (baptised) – 2 August 1788) was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds , [ 1 ] he is considered one of the most important British artists of the second half of the 18th century. [ 2 ]
The Blue Boy by Thomas Gainsborough, c. 1770. Oil on canvas 70 in × 48 in (180 cm × 120 cm) Pinkie owes part of its notability to its association with the Gainsborough portrait The Blue Boy. According to Patricia Failing, author of Best-Loved Art from American Museums, "no other work by a British artist enjoys the fame of The Blue Boy."
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Thomas Gainsborough, Philip Stanhope, 5th Earl of Chesterfield, 1777 or 1778. 221 x 157.5 cm. Private collection since 1959 The portrait was held in the collection of the Stanhope family, passing by inheritance from its completion until 1923, when it was acquired by Henry George Alfred Marius Victor Francis Herbert, sixth earl of Carnarvon. [7]