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Films that feature grave robbery as either central or tangential to the plot. Pages in category "Films about grave-robbing" The following 27 pages are in this category, out of 27 total.
Plan 9 from Outer Space is a 1957 American independent science fiction-horror film produced, written, directed, and edited by Ed Wood.The film was shot in black-and-white in November 1956 and had a preview screening on March 15, 1957, at the Carlton Theatre in Los Angeles under the title Grave Robbers from Outer Space. [3]
Grave Robbers (Spanish: Ladrones de tumbas) is a 1989 Mexican slasher film written and directed by Rubén Galindo Jr., and co-written by Carlos Valdemar. Agustín Bernal stars as an undead Satanist who, after being accidentally awakened by grave robbers played by Erika Buenfil, Ernesto Laguardia, German Bernal, and María Rebeca, sets out to bring about Armageddon by impregnating a virgin ...
This page was last edited on 8 September 2024, at 18:39 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
During one such job (retrieving a body resembling a Grey alien) they were stopped by Cornelius Murphy, main spokesperson for the House of Murphy, an infamous and vicious band of grave robbers led by Cornelius' unseen father, Samuel. Cornelius demanded the body at knifepoint; though Willie advised him to cooperate, Arthur refused, and the three ...
The film stars Boris Karloff as John Gray, a cab driver who moonlights as a grave robber, and later murderer, to illegally supply Dr. MacFarlane (played by Henry Daniell) with cadavers for his classes, and makes mention of Burke, Hare, and Dr. Knox, in reference to the West Port murders of 1828. [1]
On the first day of shooting James H. Nicholson and Sam Arkoff of AIP turned up, announcing to Corman that they were working together again, as they were able to convince Pathé to bring the movie back to AIP after threatening to pull all future lab work with them. [1] Corman employed Francis Ford Coppola on Burial as an assistant director. [8] [9]
Rossellini was instrumental in encouraging Abdel Salam to make the film, which tells a story set among the grave robbers of Kurna in Upper Egypt. [5] It remains one of the best examples of neo-realism in Egyptian cinema.
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