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"Good Times" is a disco soul song by American R&B band Chic, released in June 1979 by Atlantic Records as the first single from their third album, Risqué (1979). It ranks 68th on Rolling Stone ' s list of the " 500 Greatest Songs of All Time ", [ 1 ] and has become one of the most sampled songs in music history, most notably in hip hop music .
"Dazz" is a song by R&B/funk band Brick. "Dazz" is a combination of disco, funk and jazz, hence the title "Dazz", a combination denominator for "Disco Jazz". [2] Released in 1976 from their debut album Good High, it would become their biggest hit, spending four weeks at the top of the R&B singles chart, while reaching number three on the Billboard Hot 100 and number 41 on Billboard ' s year ...
At a minimum, jazz blues usually include a ii–V progression in place of the simple V chord and a I–VI/vi–ii–V turnaround at the end of the form. Jazz-funk: Jazz-funk is a subgenre of jazz music characterized by a strong back beat (groove), electrified sounds, and an early prevalence of analog synthesizers. 1970s -> Jazz fusion
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
On 15 April 2010, Giscombe performed his classic hit "Mama Used to Say" with the Virtual Jazz Band at London's Jazz Cafe. In 2014, Giscombe formed "The British Collective" with fellow British artists Don-E, Noel McKoy and Omar. [10] [11] [12] In 2017, Giscombe appeared on Mike City's album The Feel Good Agenda, Vol. 1 on the song "Sang and Dance".
Franklin changed the line "Come on baby and let the good times roll" to "Get in the groove and let the good times roll" in order to reference the phrase "getting into the groove" (meaning being attached to or participating in the music) and as a nod to the grooves of a disc recording. [11]
Numerous artists, not usually considered disco artists, implemented some of the styles and sounds of disco music, and are also included. This includes artists who have either been very important to the genre or have had a considerable amount of exposure (such as those that have been on a major label).
[5] [6] In the 1930s and 1940s, as jazz and swing music were gaining popularity, it was the more commercially successful white artists Paul Whiteman and Benny Goodman who became known as "the King of Jazz" and "the King of Swing" respectively, despite there being more highly regarded contemporary African-American artists. [7]