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In the wake of a 1984 dissertation on "Runes and Magic", Stephen Flowers published a series of books under the pen-name "Edred Thorsson" which detailed his own original method of runic divination and magic, "odianism", [16] which he said was loosely based on historical sources and modern European hermeticism. These books were:
The symbols represent the runes Ansuz, Laguz, and Uruz. The origin and meaning of the word are matters of dispute, though a general agreement exists among scholars that the word represents an instance of historical runic magic or is a metaphor (or metonym) for it. [1] It is the most common of the early runic charm words. [2]
Schretzheim ring-sword: the sword blade has four runes arranged so that the staves form a cross. Read as arab by Düwel (1997). Schwab (1998:378) reads abra, interpreting it as abbreviating the magic word Abraxas, suggesting influence of the magic traditions of Late Antiquity, and the Christian practice of arranging monograms on the arms of a ...
Wilhelm Grimm published his Über deutsche Runen in 1821, where among other things he dwelt upon the "Marcomannic runes" (chapter 18, pp. 149–159). In 1828, he published a supplement, titled Zur Literatur der Runen , where he discusses the Abecedarium Nordmannicum .
Futhorc are Anglo-Saxon runes which were used to write Old English. The most notable of the rings are the Bramham Moor Ring , found in the 18th century, and the Kingmoor Ring , found 1817, inscribed with a nearly identical magical runic formula read as
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In fact, one of the Old Norse words for "writing in runes" was fá and it originally meant "to paint" in Proto-Norse (faihian). [61] Moreover, in Hávamál, Odin says: "So do I write / and colour the runes" [60] [62] and in Guðrúnarkviða II, Gudrun says "In the cup were runes of every kind / Written and reddened, I could not read them". [63 ...