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The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
The Head on the Door is the sixth studio album by English rock band The Cure. It was released on 30 August 1985 by Fiction Records . Preceded by the single " In Between Days " which had reached No. 15 on the UK Singles Chart , [ 5 ] The Head on the Door was described by Melody Maker as "a collection of pop songs". [ 6 ]
"Heartache on the Dance Floor" is a song co-written and recorded by American country music artist Jon Pardi. It was released to radio on May 1, 2017, as the third single from his second studio album California Sunrise (2016). [1] The song was written by Pardi, Bart Butler and Brice Long. [2] "
The track was covered by The Crew-Cuts, who took the song to the top of the charts, arguably registering the first U.S. rock and roll number one hit record. [ 2 ] The enthusiasm doo-wop fans had for the Chords' music was dampened when Gem Records claimed that one of the groups on its roster was called the Chords; consequently the group changed ...
Max Creek, jam rock band, has been performing the song since the 1980s and continues to do so today. Founding member of the Grateful Dead , Bob Weir , has also performed the song live over 20 times; since 2012, Weir has performed the song with his bands Furthur , Ratdog , Dead & Company , Bob Weir and the Wolf Bros., as well as at solo acoustic ...
Make Me a Pallet on the Floor" (also "Make Me a Pallet on your Floor", "Make Me a Pallet", or "Pallet on the Floor") is a blues/jazz/folk song. It is considered a standard . [ 1 ] As Jelly Roll Morton explained, "A pallet is something that – you get some quilts – in other words, it's a bed that's made on a floor without any four posters on ...
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"Tossin' and Turnin'" is a song written by Ritchie Adams and Malou René, and originally recorded by Bobby Lewis in the fall of 1960. The record was released on the Beltone label in December 1960. It reached number one on both the Billboard Hot 100 on July 10, 1961, and R&B chart [ 2 ] and has since become a standard on oldies compilations .