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Tracks 1, 3, 4, 6, 8, 9 and 11 written by Girls at Our Best!. All others written by Judy Evans, James Alan and Gerard Swift. "Pleasure" "Too Big for Your Boots"
It featured 32 tracks from the series' with vocal performances and instrumental tunes composed by The Blasting Company. The band members: Brandon Armstrong, Justin Rubenstein and Joshua Kaufman had performed the instrumentation for the score, and conjunctionally wrote lyrics for the tunes along with McHale.
Ytilaer has received acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received an average score of 87, based on 15 reviews. [7]
Tom Evans – clarinet (11) Adrian Woods – cello (3, 6) Clive Davis – arrangements; Richard Perry – arrangements; Mike Navarro – synth string arrangements; Alan Broadbent – live string arrangements; Lauren Wild – backing vocals (1, 5, 7–9, 11, 12), arrangements, BGV arrangements; Angela Michael – backing vocals (7, 9, 11, 12)
David Krakauer - clarinet, bass clarinet Alicia Svigals - violin, vocals Mahmoud Fadl - percussion (Track 1) Alan Bern - accordion (2) Tine Kinderman - backing vocals (4, 11) Christoph Herrman - backing vocals (4)
Page McConnell – keyboards, backing vocals, lead vocals on "Home", "Things People Do" and "I Always Wanted It This Way" Mike Gordon – bass, backing vocals, lead vocals on "Waking Up Dead" Jon Fishman – drums, backing vocals, lead vocals on "Friends" Additional musicians. Chris Bullock: clarinet, bass clarinet, flute
Mahashmashana is the first Father John Misty studio album to feature the full participation of Tillman's longtime backing band: guitarists Chris Dixie Darley and David Vandervelde; bass guitarist Eli Thomson; pianists and keyboardists Kyle Flynn and Jon Titterington; and drummer Dan Bailey. [5]
Multiple versions of the song were created during its production: one with a full backing band and another that did not feature drums. The latter was ultimately used in the final version of the track. This recording was created in a single take, while the clarinet and bass clarinet were added after the live session. [2]
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