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Annelies is a full-length choral work based on The Diary of Anne Frank. [1] Annelies is the full first name of Anne Frank, now commonly referred to by her abbreviated forename, Anne. The music is by British composer James Whitbourn and the libretto is compiled from the diary by Melanie Challenger.
The shape note system is found in some church hymnals, sheet music, and song books, especially in the Southern United States. Instead of the customary elliptical note head, note heads of various shapes are used to show the position of the note on the major scale. The Sacred Harp is one of the most popular tune books using shape notes.
In 1834, Franz Liszt wrote his Grosses Konzertstück über Mendelssohns Lieder ohne Worte (Grand Concert Piece on Mendelssohn's Songs Without Words) for 2 pianos. This was based on songs 1–3 of Book I, Op. 19b. [13] Liszt and a student, Mlle. Vial, started to play it in Paris on 9 April 1835 [14] but Liszt became ill during the performance.
The Associated Board of the Royal Schools of Music publishes The AB Real Book. [7] Alfred Publishing Co. has several Real Books. [8] Sher Music Co. publishes The New Real Book, in 3 volumes. [9] The collection of tunes differs from that of the original Real Book. This edition offers some of the same songs, with different transcriptions and ...
In addition to dissemination as individual pieces of sheet music, parlour songs were also collected into anthologies and sold in this format. The most notable collection was Heart Songs, first published in 1909 by Chapple Publishing Company of Boston and repeatedly revised and republished for the following several decades. The publisher claimed ...
Opus 12: Sonata No. 1 for violin and piano (1943) Opus 13: Children's Songs after I.L. Peretz for singer and piano (1943) Opus 14: String Quartet No. 3 (1944) Opus 15: Sonata No. 2 for violin and piano (1944) Opus 16: Children's Notebook No. 1 for piano (1944) Opus 17: Jewish Songs after Shmuel Halkin (1944) Opus 18: Piano Quintet (1944)
Originally the Notenbuch was a bound volume comprising forty-eight pages of blank music paper, with eight staves on each page. Inscribed with the words Pour le clavecin (French: For the harpsichord), it was presented to Nannerl on the occasion of her eighth name day on 26 July 1759 (or possibly her eighth birthday, which fell on the 30th or 31st day of the same month).
Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces for voice (songs, and arias) are included. The Notebooks provide a glimpse into the domestic music of the 18th century and the musical tastes of the Bach family.
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