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  2. Half-diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Half-diminished_seventh_chord

    In dominant function, the VII half diminished chord, like its fully diminished counterpart, can take the place of the dominant V chord at a point of cadential motion. This chord, sometimes called a leading-tone diminished seventh chord , is represented by the Roman numeral notation vii ø 7 , the root of which is the leading-tone to the tonic ...

  3. Mode of limited transposition - Wikipedia

    en.wikipedia.org/wiki/Mode_of_limited_transposition

    Starting on any degree of the mode gives the same sequence of intervals, and therefore the whole tone scale has only 1 mode. Messiaen's mode 2, or the diminished scale, consists of semitone, tone, semitone, tone, semitone, tone, semitone, tone, which can only be arranged 2 ways, starting with either a tone or a semitone. Therefore, mode 2 has ...

  4. Half diminished scale - Wikipedia

    en.wikipedia.org/wiki/Half_diminished_scale

    The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [ 1 ] or the Aeolian ♭ 5 scale , names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth).

  5. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Half diminished scale on C. Play ... whole tone: diminished — Lydian diminished scale: Lydian diminished on C. 1 2 ...

  6. Mode (music) - Wikipedia

    en.wikipedia.org/wiki/Mode_(music)

    The distinctive scale degree here is the diminished fifth (d5). This makes the tonic triad diminished, so this mode is the only one in which the chords built on the tonic and dominant scale degrees have their roots separated by a diminished, rather than perfect, fifth. Similarly the tonic seventh chord is half-diminished. Tonic triad: Bdim or B°

  7. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    Five of the most common seventh chord, all built on C: major (C Δ7), dominant (C 7), minor (C– 7), half-diminished (C ø 7), and diminished (C o 7) A seventh chord is a triad with a seventh . The seventh is either a major seventh [M7] above the root, a minor seventh [m7] above the root (flatted 7th), or a diminished seventh [d7] above the ...

  8. Minor scale - Wikipedia

    en.wikipedia.org/wiki/Minor_scale

    This pattern of whole and half steps characterizes the natural minor scales. The intervals between the notes of a natural minor scale follow the sequence below: whole, half, whole, whole, half, whole, whole. where "whole" stands for a whole tone (a red u-shaped curve in the figure), and "half" stands for a semitone (a red angled line in the ...

  9. Jazz scale - Wikipedia

    en.wikipedia.org/wiki/Jazz_scale

    Sometimes called the octatonic scale because it contains eight tones, the diminished scale is composed of a series of alternating half and whole steps. There are two types of diminished scales, one starts with a half step and the other starts with a whole step. The two scales are modes of one another.