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The Ceffyl Pren ("wooden horse") is a term referring to a former local form of punishment practiced in Welsh form of mob justice.It was a form of ritual humiliation in which offenders would be paraded around the village tied to a wooden frame, sometimes at night, by a mob carrying torches. [1]
An illustration of a torture horse of the Spanish donkey variety. Riding a rail, sketched by Andrew W. Warren in November 1864. The first variation of the wooden horse is a triangular device with one end of the triangle pointing upward, mounted on a sawhorse-like support. The victim is made to straddle the triangular "horse."
The songs are listed in the index by accession number, rather than (for example) by subject matter or in order of importance. Some well-known songs have low Roud numbers (for example, many of the Child Ballads), but others have high ones. Some of the songs were also included in the collection Jacobite Reliques by Scottish poet and novelist ...
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Cain debuted "Punish" prior to its release at Le Trianon in Paris on June 3, 2024, as part of the set list for her third concert tour, the Childish Behaviour Tour. [41] The Fader 's Sandra Song described the performance as exquisite, slow-moving, and "full of pensive melancholy", [42] while Stereogum 's Tom Breihan said it was "long and ...
You, my black horse, Lead on and march! "Wait, wait, my Cossack, your girl is crying, How can you leave me, Just think about it." Refrain: |: Maybe, maybe it would have been better not to leave, Maybe, maybe it would have been better not to love, Maybe, maybe it would have been better to not know her And now, and now is time to forget. :|
"Knoxville Girl" Earliest recording [2] 1937: The Carter Family "Never Let the Devil Get the Upper Hand of You" [3]: 4 1938: The Blue Sky Boys "In My Little Home In Tennessee/The Knoxville Girl" [4] [5]: 167 1947 Cope Brothers: Knoxville Girl / She Sleeps Beneath The Norris Dam KING 589 1956: The Louvin Brothers: Tragic Songs of Life [6] (US ...
Highland laddie is also the name of a dance in Scottish Highland dancing, of the "national dance" subtype.This version of the dance was first published by D. G. MacLennan in 1952, who referred to it as a Hebridean dance, collected by MacLennan in 1925 from Archie MacPherson on the island of South Uist.