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Intercontinental is an album by jazz guitarist Joe Pass that was released in 1970. [1] The album is a collection of mainly swing and Latin jazz standards with the exception of the country/pop hit "Ode to Billie Joe". It features drummer Kenny Clare and bassist Eberhard Weber. This album is notable as a rare example of Eberhard Weber playing ...
4: PD Backdoor progression (front door is V7) ii– ♭ VII I: 3: Major Bird changes: I vii ø –III7 vi–II7 v–I7, IV7 iv– ♭ VII7 iii–VI7 ♭ iii– ♭ VI7, ii V7 I–VI7 ii–V: 20: Major Chromatic descending 5–6 sequence: I–V– ♭ VII–IV: 4: Mix. Circle progression: vi–ii–V–I: 4: Major Coltrane changes: Coltrane ...
Kannamangalam Sreekumar Harisankar (born 18 November 1993) is an Indian playback singer popular mainly in South Indian cinema. He is quite familiar to the Malayali audience through hits like Jeevamshamayi from the movie Theevandi, Pavizha mazhaye from the movie Athiran, Kamini from Anugraheethan Antony, Nee Himamazha, Vaanam chaayum, Aalolam and several others.
[4] A chord may also have chromatic notes, that is, notes outside of the diatonic scale. Perhaps the most basic chromatic alteration in simple folk songs is the raised fourth degree (♯) that results when the third of the ii chord is raised one semitone. Such a chord typically functions as the secondary dominant of the V chord (V/V).
In the 80's, Indonesian media widely coined the term Pop kreatif. [7] Journalists Seno M. Hardjo and Bens Leo is cited to have popularized this term to differentiate the music presented by musicians with the likes of Guruh Soekarnoputra, Eros Djarot, Chrisye, Fariz RM, and Dian Pramana Poetra from the Melancholic pop music artists and genre. [3]
The A ♭ in the altered chord serves as a leading tone to G, which is the root of the next chord.. The object of such foreign tones is: to enlarge and enrich the scale; to confirm the melodic tendency of certain tones...; to contradict the tendency of others...; to convert inactive tones into active [leading tones]...; and to affiliate the keys, by increasing the number of common tones.
Since these four chords are played as an ostinato, the band also used a vi–IV–I–V, usually from the song "Save Tonight" to the song "Torn". The band played the song in the key of D (E in the live performances on YouTube ), so the progression they used is D–A–Bm–G (E, B, C#m, A on the live performances).
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...