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Each character should have their distinctive voice. [14] To differentiate characters in fiction, the writer must show them doing and saying things, but a character must be defined by more than one single topic of conversation or by the character's accent. The character will have other interests or personality quirks as well. [15]
Storytelling has also been studied as a way to investigate and archive cultural knowledge and values within indigenous American communities. Iseke's study (2013) [59] on the role of storytelling in the Metis community, showed promise in furthering research about the Metis and their shared communal atmosphere during storytelling events. Iseke ...
One way to do that was to directly place oneself into the research narrative, noting the positionality of the researcher. Here, the researcher could either insert themselves into the research narrative or increase participants' involvement in the research project, such as through participatory action research .
The general noun phrase "title character" can be replaced with a descriptive noun or phrase which is then further described using the adjective "titular". For example, the title character of Dracula can be referred to as the book's "titular vampire", [23] the title character of Hamlet is the "titular prince of Denmark", [24] and the title character of The Wonderful Wizard of Oz is the "titular ...
Fisher set five criteria that affect a story's narrative fidelity. The first of the requirements are the values which are embedded in the story. The second of the elements is the connection between the story and the espoused value.
Digital storytelling is a short form of digital media production that allows everyday people to create and share their stories online. The method is frequently used in schools, [1] [2] [3] museums, [4] libraries, [5] social work and health settings, [6] [7] and communities. [8]
Storytelling rights also implicates questions of consent, empathy, and accurate representation. While storytelling—and retelling—can function as a powerful tool for agency and advocacy, it can also lead to misunderstanding and exploitation. Storytelling rights is notably important in the genre of personal experience narrative.
Narrative is a powerful tool in the transfer, or sharing, of knowledge, one that is bound to cognitive issues of memory, constructed memory, and perceived memory. Jerome Bruner discusses this issue in his 1990 book, Acts of Meaning, where he considers the narrative form as a non-neutral rhetorical account that aims at "illocutionary intentions", or the desire to communicate meaning. [10]