Search results
Results from the WOW.Com Content Network
If You Can Believe Your Eyes and Ears is the debut album from vocal group the Mamas & the Papas (stylized as The Mama's and the Papa's []), released on February 28, 1966.. The stereo mix of the album is included on All the Leaves are Brown (2001), a double CD compilation consisting of the band's first four albums and various singles, as well as on The Mamas & the Papas Complete Anthology (2004 ...
The quartet's debut album, If You Can Believe Your Eyes and Ears, followed in February 1966 and became its only No. 1 on the Billboard 200. The third and final single from the album, " Monday, Monday ", [ 2 ] was released in March 1966.
"California Dreamin '" is a song written by John and Michelle Phillips in 1963 and first recorded by Barry McGuire. [5] The best-known version is by the Mamas & the Papas, who sang backup on the original version and released it as a single in December 1965.
"Go Where You Wanna Go" is a 1965 song written by John Phillips. It was originally recorded by the Mamas & the Papas on their LP If You Can Believe Your Eyes and Ears and given limited release as a single. However, the record was withdrawn, and its A-side [3] was reassigned to "California Dreamin'". [4] "
However, the decision was then made to shoot an entirely new picture with the new line-up and to also change the album's title to Crashon Screamon All Fall Down, which it was promoted under before release. With the return of Michelle to the group just prior to the LP's release, the original cover and eponymous title were reinstated.
1 Cite of RS 500 page for the album. 1 comment. ... Talk: If You Can Believe Your Eyes and Ears. Add languages. Page contents not supported in other languages. Article;
You can find instant answers on our AOL Mail help page. Should you need additional assistance we have experts available around the clock at 800-730-2563. Should you need additional assistance we have experts available around the clock at 800-730-2563.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.