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The Mask (re-released as Eyes of Hell and The Spooky Movie Show) is a 1961 Canadian surrealist horror film produced in 3-D by Warner Bros. It was directed by Julian Roffman and stars Paul Stevens, Claudette Nevins, and Bill Walker. It was written by Franklin Delessert, Sandy Haver, Frank Taubes and Slavko Vorkapich.
With New Line Cinema initially intending for The Mask to start a new horror franchise, the company offered the job of directing the film to Charles Russell, known for directing such films. [2] However, Russell found the violence of the comic to be off-putting, and wanted the film to be less grim and more fun than the source material.
Legendary Hollywood director and producer Charles ‘Chuck’ Russell says that the breakout film “The Mask” was originally conceived by New Line Cinema as a horror movie. Instead, the 1994 ...
The Mask uses his huge "living" horn to defeat one of the enemies in the game. The player has to navigate through Ipkiss' apartment, a high-rent district, outside and inside the bank, the local park, inside the local prison (complete with enemies wearing stereotypical striped prison uniforms), and finally through a ritzy nightclub to fight his evil nemesis, Dorian (who is also wearing the mask ...
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Skull: The Mask (Portuguese: Skull: A Máscara de Anhangá) is a 2020 Brazilian slasher film written and directed by Armando Fonseca and Kapel Furman. It stars Natallia Rodrigues as a detective investigating the ancient mask of Anhangá—a vassal of a Pre-Columbian era god—who is incarnated and embarks on a sacrificial killing spree.
The Ghostface mask was first developed for novelty stores during the Halloween season between 1991 and 1992 by Fun World, as part of a series entitled "Fantastic Faces", the mask itself known as "The Peanut-Eyed Ghost", [24] with the final design approved by Fun World vice-president Allan Geller; the design was adapted from a "wailer" ghost ...
Under the Shadow (Persian: زیر سایه, romanized: Zeer-e sāye) is a 2016 Persian-language psychological horror film written and directed by Iranian-born Babak Anvari in his directorial debut. A mother and daughter are haunted by a mysterious evil in 1980s Tehran, during the War of the Cities.