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Empusa is a character in Faust, Part Two by Goethe. She appears during the Classical Walpurgis Night as Mephisto is being lured by the Lamiae. She refers to herself as cousin to Mephisto because she has a donkey's foot and he has a horse's. Empusa is the name of the ship used by Count Orlok to travel to Wisborg in F. W. Murnau's film Nosferatu ...
[148] [149] Images of Jesus as a healer replaced images of Asclepius and Hippocrates as the ideal physician. [149] Jesus, who was originally shown as clean-shaven, may have first been shown as bearded as a result of this syncretism with Asclepius, [150] [151] as well as other bearded deities such as Zeus and Serapis. [151]
The following is a family tree of gods, goddesses, and other divine and semi-divine figures from Ancient Greek mythology and Ancient Greek religion. Chaos The Void
A host of legendary creatures, animals, and mythic humanoids occur in ancient Greek mythology.Anything related to mythology is mythological. A mythological creature (also mythical or fictional entity) is a type of fictional entity, typically a hybrid, that has not been proven and that is described in folklore (including myths and legends), but may be featured in historical accounts before ...
Lamia (/ ˈ l eɪ m i ə /; Ancient Greek: Λάμια, romanized: Lámia), in ancient Greek mythology, was a child-eating monster and, in later tradition, was regarded as a type of night-haunting spirit or "daimon". In the earliest stories, Lamia was a beautiful queen of ancient Libya who had an affair with Zeus.
Empusa (or empousa, pl. empousai) – A shape-shifting being with a copper leg in Greek mythology. Elf – Supernatural being in Germanic mythology and folklore. Erinyes – Greek female chthonic deities of vengeance. Fairy – Mythical spirits or legendary creatures in European folklore, also known as fae or fair folk among many other names ...
Paris Olympics organizers issued an apology on Sunday after a scene depicting the Greek god Dionysus drew criticism for allegedly mocking Leonardo da Vinci's painting “The Last Supper,” which ...
The story of the Mandylion is likely the product of centuries of development. The first version is found in Eusebius' History of the Church (1.13.5–1.13.22). Eusebius claimed that he had transcribed and translated the actual letter in the Syriac chancery documents of the king of Edessa.