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The Hudibrastic relies upon feminine rhyme for its comedy, and limericks will often employ outlandish feminine rhymes for their humor. Irish satirist Jonathan Swift used many feminine rhymes in his poetry. Edgar Allan Poe's poem "The Raven" employs multiple feminine rhymes as internal rhymes throughout. An example is the following:
The rhyme of "swear for" with "wherefore" and "ecclesiastic" with "(in)stead of a stick" are surprising, unnatural, and humorous. Additionally, the rhyme of "-don dwelling" with "a colonelling" is strained to the point of breaking, again for humorous effect. Further, the rhyme scheme in a Hudibrastic will imply inappropriate comparisons.
Light rhyme (rhyme on unstressed syllables; example: shallow / minnow) Consonant chime (example from Dylan Thomas : ferrule / folly / angle / valley / coral / mile ) Alternation (alternation of masculine and feminine endings, a sort of rhythmic rhyme)
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
Feminine rhyme. 10 languages. ... Printable version; From Wikipedia, the free encyclopedia. Redirect page ...
Like the Shakespearean sonnet, the Onegin stanza may be divided into three quatrains and a closing couplet (normally without stanza breaks or indentations), and it has a total of seven rhymes, rather than the four or five rhymes of the Petrarchan sonnet. Because the second quatrain (lines 5–8) consists of two independent couplets, the poet ...
Sonnet 20 is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare.Part of the Fair Youth sequence (which comprises sonnets 1-126), the subject of the sonnet is widely interpreted as being male, thereby raising questions about the sexuality of its author.
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
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