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Swapnasundari is an Indian dancer, an exponent of Kuchipudi and Bharatanatyam, a choreographer and a vocalist. She is a recipient of the Padma Bhushan, given Government of India in 2003, [1] as well as the Sahitya Kala Parishad and Sangeet Natak Akademi Award. Her album Janmabhoomi Meri Pyaari was well received. [2]
Mallika Sarabhai is an activist and Indian classical dancer and actress from Ahmedabad, Gujarat, India.Daughter of a classical dancer Mrinalini Sarabhai and space scientist Vikram Sarabhai, Mallika is an accomplished Kuchipudi and Bharatanatyam dancer [1] and performer who has specialized in using the arts for social change and transformation.
Kuchipudi (/ ˌ k uː tʃ ɪ ˈ p uː d i / KOO-chih-POO-dee) is one of the eight major Indian classical dances. [2] It originates from a village named Kuchipudi in the Indian state of Andhra Pradesh. [3] Kuchipudi is a dance-drama performance, with its roots in the ancient Hindu Sanskrit text of Natya Shastra.
Essence of Life is a performing art group based in Bangalore, established by Dega Deva Kumar Reddy in 2012 to promote teachings of Jiddu Krishnamurti. [1]Essence of Life is a synergy of five Indian classical dance forms - Bharatanatyam, Kuchipudi, Odissi, Kathak and Mohiniyattam.
[2] [3] Modern productions include both male and female artists, and has evolved to show influences of both Kuchipudi and Bharatanatyam – the main classical dance of Tamil Nadu. [ 6 ] Like all classical dances of India, the Bhagavata Mela incorporates sophisticated gestures as sign language combined with intricate footwork and acting ...
Alekhya Punjala is a Kuchipudi and Bharatanatyam dancer from Telangana. She began her dance studies at the age of four while studying in a Montessori school in Hyderabad, under Dayal Sharan, the dance teacher of the school. [4] She said that Dayal intended to teach her Odissi and Kathak, but she became interested in Bharatanatyam and Kuchipudi.
Raudram rasa of the destructive fury of goddess Durga in Bharatanatyam. The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others.
Bharatanatyam, like all classical dances of India, uses symbolism in its abhinaya (acting) and its goals. The roots of abhinaya appear in the Natya Shastra text, which defines drama in verse 6.10 as something that aesthetically arouses joy in the spectator, through the medium of the actor's art of communication, that helps connect and transport ...