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Daimonion (Ancient Greek: δαιμόνιον, daimónion; Latin genius) is the name given in ancient literature to an inner voice which, according to tradition, gave philosopher Socrates warning signs to prevent him from making wrong decisions. Socrates considered the originator of these signs to be a deity whom he did not specify.
The myth of Timarchus of Chaeronea within the piece is thought to be an imitation of Plato's Myth of Er (a part of the larger work, known as the Republic). [4] [8]It is noted that De genio Socratis is similar to Phaedo by Plato, in at least due to the fact that both works are concerned especially with the divine sign, that is the daimon, of Socrates.
Paul Shorey sees the daimonion not as an inspiration but as "a kind of spiritual tact checking Socrates from any act opposed to his true moral and intellectual interests." [ 19 ] Regarding the charge brought against Socrates in 399 BC, Plato surmised "Socrates does wrong because he does not believe in the gods in whom the city believes, but ...
The Apology of Socrates (Ancient Greek: Ἀπολογία Σωκράτους, Apología Sokrátous; Latin: Apologia Socratis), written by Plato, is a Socratic dialogue of the speech of legal self-defence which Socrates (469–399 BC) spoke at his trial for impiety and corruption in 399 BC.
Socrates asks Theages what kind specialty is wisdom exactly, and the boy responds that it's the ability to govern men (123e). Socrates suggests to Theages that the art he is looking for is that of the despot, tyrant (τύραννος) in the original text (124e), a word that in Ancient Greek meant autocrat rather than violent oppressor as it ...
Socrates rarely used the method to actually develop consistent theories, and he even made frequent use of creative myths and allegories. The Parmenides dialogue shows Parmenides using the Socratic method to point out the flaws in the Platonic theory of forms , as presented by Socrates; it is not the only dialogue in which theories normally ...
Socrates is known for proclaiming his total ignorance; he used to say that the only thing he was aware of was his ignorance, seeking to imply that the realization of one's ignorance is the first step in philosophizing. Socrates exerted a strong influence on philosophers in later antiquity and has continued to do so in the modern era.
Socrates gently berates the rhapsode for being Protean, which after all, is exactly what a rhapsode is: a man who is convincingly capable of being different people on stage. Through his character Socrates, Plato argues that "Ion’s talent as an interpreter cannot be an art, a definable body of knowledge or an ordered system of skills," but ...