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A macrophotography bellows mounted on a Canon FT QL (1966) A folding Kodak camera with bellows. In photography, a bellows is the accordion-like, pleated expandable part of a camera, usually a large or medium format camera, to allow the lens to be moved with respect to the focal plane for focusing. [1] Bellows are also used on enlargers.
The camera would be supplied with a number of plate holders, each usually holding two plates, one on either side. The Reisekamera was a popular wooden bellows view camera of the tailboard design, manufactured in large quantities in specialised cabinetmaker's workshops of the eastern regions of Germany from about 1860, but reaching peak ...
A stat camera is a large-format vertical or horizontal stationary camera used to shoot film for camera-ready artwork, and sometimes called a copy camera. This is a large bellows-type camera which consists of the copy-board, bellows and lens, and filmboard.
He was survived by his wife, Emma Story Bellows (married 1910), and daughters Anne and Jean. Bellows is buried at Green-Wood Cemetery in Brooklyn. "Of American artists of the first rank," wrote Joyce Carol Oates, "none had a more tragically foreshortened career than Bellows.... [He was] the most famous American artist of his time." [21]
A folding camera is a camera type. Folding cameras fold into a compact and rugged package for storage. The lens and shutter are attached to a lens-board which is connected to the body of the camera by a light-tight folding bellows. When the camera is fully unfolded it provides the correct focus distance from the film. The key advantage of ...
Her first starring role was as John Astin's wife in I'm Dickens, He's Fenster. In 1964–65, she appeared as Mickey Rooney's wife, Nora, in the short-lived sitcom Mickey and a guest appearance on Bonanza (1969). She also made feature film appearances in Divorce American Style (1967), Rosemary's Baby (1968) and Harrad Summer (1974).
Around 1870, he settled with his wife and daughter in London, and under a changed name - Leon Warnerke, began research and design in the field of photography. [2] He lived in both London and St Petersburg, establishing a factory, the "Photographic Laboratory Varnerke and Co.", St. Petersburg, at 31 Voznesensky Ave., [ 3 ] which manufactured his ...
The snowflakes were too complex to record before they melted, so he attached a bellows camera to a compound microscope and, after much experimentation, photographed his first snowflake on January 15, 1885. [5] He captured more than 5,000 images of crystals. Each crystal was caught on a blackboard and transferred rapidly to a microscope slide.