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The keyed trumpet is a cylindrical-bore brass instrument in the trumpet family that makes use of tone holes operated by keys to alter pitch and provide a full chromatic scale, rather than extending the length of tubing with a slide or valves.
The keyed bugle (also Royal Kent bugle, or Kent bugle) is a wide conical bore brass instrument with tone holes operated by keys to alter the pitch and provide a full chromatic scale. [2] It was developed from the bugle around 1800 and was popular in military bands in Europe and the United States in the early 19th century, and in Britain as late ...
May be B ♭ 3 like a B ♭ trumpet Bass Trombone C4 The Bass Trombone is the same as the Tenor Trombone except it has a larger bore and an extra trigger Contrabass Trombone C4 Plays the same notes as a tuba Trumpet: C Piccolo Trumpet: C 5: Piccolo trumpet: B ♭ 4: Piccolo Trumpet in A A 4: F trumpet F 4: E trumpet E 4: E ♭ trumpet E ♭ 4 ...
Anton Weidinger (9 June 1766 in Vienna – 20 September 1852 in Vienna) was an Austrian trumpet virtuoso in the classical era, and a "k. k. Hof-Trompeter" (Imperial and Royal Court trumpeter). He was friends with Haydn , Mozart , Beethoven and Hummel .
Straight trumpet without fingerholes, traditionally made from a trunk or thick branch of a tree, sometimes with a rim of beeswax around the blowing end, requires circular breathing: 423.121.11 Austria, Czechia. Bock [15] Bockpfeife: Use of goatskins in constructing the bag, similar to the common use of other goat-terms for bagpipes in other nations
Instrument Picture Classification H-S Number Elementary organology class Origin Common classification Relation Celesta-struck idiophone-metallophone-set of percussion plaques
In 1836 he published the book Instruction for the trumpet: with the use of the chromatic slide, also the Russian valve trumpet, the cornet à pistons or small stop trumpet, and the keyed bugle, in which the rudiments of music and the various scales, are clearly explained in a series of examples, preludes, lessons, solos, duets, etc. for each ...
The work was composed for Viennese trumpet virtuoso and proponent of the keyed trumpet, Anton Weidinger. There are parts which Weidinger may have altered to make it easier to perform on the keyed trumpet. [1] Originally this piece was written in E major, but today is usually performed in E-flat major. [2]