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L.D. 50 is the debut studio album by American heavy metal band Mudvayne.Released on August 22, 2000, [1] it is the band's first release on Epic Records, following the independently-released extended play Kill, I Oughtta.
The music video for the single "Not Falling" demonstrated Mudvayne's change in appearance from L.D. 50, with the musicians transformed into veined creatures with white, egg-colored bug eyes. [23] In 2003, Mudvayne participated in the Summer Sanitarium Tour , headlined by Metallica , [ 24 ] and in September, Chad Gray appeared on V Shape Mind 's ...
The second video, directed by Dean Karr, features the members performing the song in a blizzard, notably without the costumes. The unofficial third music video appears on the DVD for the 2002 horror film Ghost Ship, in which the song was featured heavily. The video consists of a montage of clips from the film with the song played over.
The video for the song is directed and conceptualized by Thomas Mignone and is shot in two locations: At the abandoned Seaview Hospital located in Staten Island, NY (also utilized in the film Jacob's Ladder), where the four members are playing their instruments; and a seemingly mystic beach in a remote part of Malibu, CA, where an old, frail woman is going through the transition into afterlife ...
The End of All Things to Come is the second studio album by American heavy metal band Mudvayne.Released on November 19, 2002, the album expanded upon the sound of the band's first album, L.D. 50, with a more versatile range of sounds, dynamic, moods and vocalization.
Topics about Mudvayne songs in general should be placed in relevant topic categories Pages in category "Mudvayne songs" The following 16 pages are in this category ...
The song "Determined" (originally titled "Fucking Determined") [15] utilizes elements of modern thrash [1] and hardcore punk, [16] while the song "IMN"'s lyrics revolve around suicide, [1] a recurring theme in Mudvayne's songs. The track "Choices" was described by Gray as "the eight-minute opus". [9] It is to date the longest Mudvayne song.
Johnny Loftus of AllMusic called the song "one of Mudvayne's all-time strongest tracks". [3] It also received praise from The Baltimore Sun. [8] The song was nominated at the 2006 Grammy Awards for Best Metal Performance but lost to Slipknot's "Before I Forget". [9]