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Printing on glass with UV pinning and curable inks came about almost 60 years later. In this method of printing, ultraviolet waves are applied on the inks, drying them to the glass. This method was the first to enable the digital printing on glass of any digital image including multi color and complex images.
The ceramic is then glazed (if this had not been done already) and fired in a kiln to fix the pattern. With overglaze printing only a low-temperature firing was needed. The process produces fine lines similar to engraved prints. [2] Before transfer printing, ceramics were hand painted, a laborious and costly process.
Composite body, painted, and glazed bottle. Iran, 16th century (Metropolitan Museum of Art) Detail of dripping rice-straw ash glaze (top), Japan, 1852. Ceramic glaze, or simply glaze, is a glassy coating on ceramics. It is used for decoration, to ensure the item is impermeable to liquids and to minimize the adherence of pollutants. [1]
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen.
Printing techniques and digital manipulation of art and photography are used in what is known as "custom tile printing". Dye sublimation printers, inkjet printers and ceramic inks and toners permit printing on a variety of tile types yielding photographic-quality reproduction. [21]
Macor is a white, odorless, porcelain-like glass ceramic material and was developed originally to minimize heat transfer during crewed spaceflight by Corning Inc. [18] StellaShine, launched in 2016 by Nippon Electric Glass Co., is a heat-resistant, glass-ceramic material with a thermal shock resistance of up to 800 degrees Celsius. [19]
Josiah Wedgwood: Tea and coffee service, c. 1775. Transfer-printed in purple enamel by Guy Green of Liverpool. Victoria & Albert Museum, London. Creamware is a cream-coloured refined earthenware with a lead glaze over a pale body, known in France as faïence fine, [1] in the Netherlands as Engels porselein, and in Italy as terraglia inglese. [2]
Tin-glazing is the process of giving tin-glazed pottery items a ceramic glaze that is white, glossy and opaque, which is normally applied to red or buff earthenware. Tin-glaze is plain lead glaze with a small amount of tin oxide added. [1] The opacity and whiteness of tin glaze encourage its frequent decoration.
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