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Colossal Yapong dance Hundreds of dancers demonstrate the yapong dance. The pattern in the clothes worn by the dancers is a development of the Betawi mask dancer clothes. This can be seen clearly from the shape and decoration of the headgear and the sash worn on the chest, which is called the toka-toka.
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Multiple terms have been proposed to describe the native inhabitants of Eastern Indonesia.“Papuans” (Indonesian: Orang Papua) is the preferred term (especially in Indonesian and English) for inhabitants of New Guinea, since it is based on actual native nomenclature used by as recorded in several ancient native evidences.
The Srimpi (Javanese: ꦱꦿꦶꦩ꧀ꦥꦶ, romanized: Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta.
Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.
Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of the Javanese people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]
In general, the Yali are split into two groups, Yali (mo) and Yali Mek, which live in Yalimo Regency and Yahukimo Regency, respectively.They also speak two different languages, the first one related to the Dani in the Ngalik-Nduga subfamily, [2] the other one related to the Mek.
A dancer completing his spinning movements. (Performed by Nyoman T. Usadhi at Sanata Dharma University, 2014) Generally, the kebyar duduk dance is performed by a single male dancer, though his make-up makes him appear almost androgynous. [8]