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Judith is shown as a beautiful woman, which helped her entice Holofernes, and also as a fierce heroine. The painting is relentlessly physical, from the wide spurts of blood to the energy of the two women as they perform the act. [1]
Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, probably between 1820 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Albrecht Dürer inherited the forms of Gothic art so deeply rooted in his country, but evolved thanks to the study of Italian Renaissance classicism. Some of his early works show the Gothic female prototype of elongated figures with small breasts and bulging bellies, as in Hausfrau (1493), Women's Bath (1496) and The Four Witches (1497 ...
Portrait of Madeleine, also known as Portrait of a Black Woman (French: Portrait d'une femme noire or Portrait d'une negresse), is an oil-on-canvas painting by the French artist Marie-Guillemine Benoist, created in 1800.
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Detail of the lady's head. The painting was executed in oils on a relatively small, 54 cm × 39 cm (21 in × 15 in) walnut wood panel. [9] [10] It depicts a half-height woman turned toward her right at a three-quarter angle, but with her face turned toward her left. [11]
The brown tones of the snake's body stand out in contrast with the pale woman's body, but take up the color scheme of the surrounding jungle. Collier presented his painting inspired by fellow painter and poet Dante Gabriel Rossetti's 1868 poem Lilith, or Body's Beauty, which describes Lilith as the witch who loved Adam before Eve. Her ...
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