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The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
Historian Rictor Norton notes that satire of Gothic literature was common from 1796 until the 1820s, including early satirical works such as The New Monk (1798), More Ghosts! (1798) and Rosella, or Modern Occurrences (1799). Gothic novels themselves, according to Norton, also possess elements of self-satire, "By having profane comic characters ...
The inability of many Gothic characters to overcome perversity by rational thought is quintessential American Gothic. [1] It is not uncommon for a protagonist to be sucked into the realm of madness because of his or her inclination towards the irrational.
Gothicism or Gothism (Swedish: Göticism Swedish pronunciation: [ˈjøːtɪsˌɪsm]; Latin: Gothicismus) was an ethno-cultural ideology and cultural movement in Sweden, which took honor in being a Swede, for being purportedly related to the Goths.
Marlon Brando and Vivien Leigh in A Streetcar Named Desire (1951).. Southern Gothic is an artistic subgenre of fiction, music, film, theatre, and television that are heavily influenced by Gothic elements and the American South.
Sensation novelists drew on the influences of melodrama, Gothicism, and the Newgate novel to explore themes considered provocative by societal norms and to question the artificiality of identity. In the 1860s, the sensation novels and theatre became closely intertwined; many of the famous sensation novelists wrote as well for the stage. [ 3 ]
Juan Manuel Blanes, An episode of Yellow Fever in Buenos Aires (1871), oil on canvas, National Museum of Visual Arts (Uruguay).. Latin American Gothic is a subgenre of Gothic fiction that draws on Gothic themes and aesthetics and adapts them to the political and geographical specificities of Latin America.
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...