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Gothicism or Gothism (Swedish: Göticism Swedish pronunciation: [ˈjøːtɪsˌɪsm]; Latin: Gothicismus) was an ethno-cultural ideology and cultural movement in Sweden, which took honor in being a Swede, for being purportedly related to the Goths.
Gothic literature is strongly associated with the Gothic Revival architecture of the same era. English Gothic writers often associated medieval buildings with what they saw as a dark and terrifying period, marked by harsh laws enforced by torture and with mysterious, fantastic, and superstitious rituals .
Max Duperray explains that the choice of the term "horror" served to distinguish a later school within the Gothic movement, which Frankenstein is partly part of: "[...] whereas the early novels separate good and evil with an insurmountable barrier," he writes, "the later ones usher in the era of moral ambiguity, involving the reader more deeply in the mysteries of the transgressive ...
The inability of many Gothic characters to overcome perversity by rational thought is quintessential American Gothic. [1] It is not uncommon for a protagonist to be sucked into the realm of madness because of his or her inclination towards the irrational.
Several templates and tools are available to assist in formatting, such as reFill (documentation) and Citation bot (documentation). ( August 2022 ) ( Learn how and when to remove this message ) Gothic fiction (sometimes referred to as Gothic horror or Gothic romanticism) is a genre of literature that combines elements of both horror fiction and ...
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...
Sensation novelists drew on the influences of melodrama, Gothicism, and the Newgate novel to explore themes considered provocative by societal norms and to question the artificiality of identity. In the 1860s, the sensation novels and theatre became closely intertwined; many of the famous sensation novelists wrote as well for the stage. [ 3 ]
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.