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Topics addressed by cognitive poetics include deixis; text world theory (the feeling of immersion within texts); schema, script, and their role in reading; attention; foregrounding; and genre. One of the main focal points of cognitive literary analysis is conceptual metaphor , an idea pioneered and popularized by the works of Lakoff , as a tool ...
The ability of texts to transmit instantly means that as the sender, I am aware of having 'spoken' and, applying our innate 'rules of conversation' logic, am expecting you, the receiver, to pay ...
Spreading rumors and gossip by text message, using text messages to bully individuals, or forwarding texts that contain defamatory content is an issue of great concern for parents and schools. Text "bullying" of this sort can cause distress and damage reputations.
Although conceptual poetry may have freely circulated in relation to some text-based Conceptual art works (during the heyday of the movement), "conceptual writing" was coined as an idea in 2003, while The UbuWeb Anthology of Conceptual Writing was created by Craig Dworkin and Kenneth Goldsmith (the on-line anthology [1] differs from the 2011 print anthology).
SMS language displayed on a mobile phone screen. Short Message Service language, textism, or textese [a] is the abbreviated language and slang commonly used in the late 1990s and early 2000s with mobile phone text messaging, and occasionally through Internet-based communication such as email and instant messaging.
Twitter user Ronnie Joyce came across the poem above on the wall of a bar in London, England. While at first the text seems dreary and depressing, the poem actually has a really beautiful message.
Poetry analysis is the process of investigating the form of a poem, content, structural semiotics, and history in an informed way, with the aim of heightening one's own and others' understanding and appreciation of the work. [1] The words poem and poetry derive from the Greek poiēma (to make) and poieo (to create).
The prefix is then merged with the word "text", which is identified as a distinctive structure for producing and consuming verbal meaning in post-structuralist literary theory. [ 7 ] Although Aarseth's use of the term has been the most influential, he was not the first to use it.