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TASCAM released the new Model series in the Fall of 2018 with the Model 24 integrated 24-track production studio for mixing, recording, and use as a DAW controller. TASCAM followed up with the Model 16, a lower-priced 16-track mixing/recording studio in 2019, and released the Model 12, which introduced MIDI controller capabilities, hardware ...
It also allowed multiple DA-88 devices to be combined to record 16 or more tracks. [3] The first models in the series (the TASCAM DA-88, DA-38, DA-98 and Sony PCM-800) recorded at 16-bit resolution. TASCAM later introduced the DA-98HR and DA-78HR, which recorded at 24-bit resolution and sample rates up to 48 kHz (for DA-78HR) and 192 kHz (for ...
Portastudio refers to a series of multitrack recorders produced by TASCAM beginning in 1979 with the introduction of the TEAC 144, the first four-track compact cassette-based recorder. A TASCAM trademark, "portastudio" is commonly used to refer to any self-contained multitrack recorder dedicated to music production. [1] [2] [3]
The first product with this connector was the TASCAM DA-88. That implementation did not include the ability to derive a word clock synchronization between the DA-88 and another TDIF-1 device, so a BNC WORD CLOCK connection was required as well.(cite: DA-88 users manual) Later TASCAM products included the ability to sync to the TDIF-1 connection ...
3 + 3 ⁄ 4 in/s and 7 + 1 ⁄ 2 in/s are the speeds that were used for (the vast majority of) consumer market releases of commercial recordings on reel-to-reel tape. 3 + 3 ⁄ 4 in/s is also the speed used in 8-track cartridges. 1 + 7 ⁄ 8 in/s is also the speed used in Compact cassettes.
TASCAM also produced a 24-track DASH recorder, the DA-800/24. With the exception of the Sony PCM-3348HR and Studer D827, all of the DASH recorders have 16-bit resolution with a 44.1 kHz or 48 kHz sampling rate , although it is possible to use an outboard analog-to-digital converter of up to 20-bit resolution.
A further reduction of backing to 0.5 or 0.75 mils (13 or 19 μm) and total thickness to 26 micrometres (1.0 mil) resulted in double-play tapes of 2,400 feet (730 m) on a seven-inch reel. [1] This and thinner tapes were not commonly used on ten-and-a-half-inch reels, as the tape was too fragile for the angular momentum of the larger reels ...
The most common usage is the DB25, using TASCAM's pinout (now standardised in AES59 by the Audio Engineering Society [1]). To avoid the possibility of bent pins on fixed equipment, the male connector is generally fitted to the cabling and the female connector to the equipment.