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Micropsia is a condition affecting human visual perception in which objects are perceived to be smaller than they actually are. Micropsia can be caused by optical factors (such as wearing glasses), by distortion of images in the eye (such as optically, via swelling of the cornea or from changes in the shape of the retina such as from retinal edema, macular degeneration, or central serous ...
Look Closer may refer to: "Crabbit Old Woman", a poem by Phyllis McCormack that is also titled "Look Closer" "Look Closer", an episode of the television series ...
This story was corroborated by an article from the Daily Mail on 12 March 1998, where Phyllis McCormack's son wrote that his mother composed it in the 1960s, when she submitted it anonymously with the title "Look Closer Nurse" to a small magazine intended just for Sunnyside.
Medial (from Latin medius 'middle') describes structures close to the midline, [2] or closer to the midline than another structure. For example, in a human, the arms are lateral to the torso. The genitals are medial to the legs. Temporal has a similar meaning to lateral but is restricted to the head.
This image makes the Paranal Observatory's laser guide stars' meeting point feel closer than it really is. In reality, the beams extend to an infinite distance. Forced perspective is a technique that employs optical illusion to make an object appear farther away, closer, larger or smaller than it actually is.
When this object is viewed with both eyes, it is seen with a small amount of aniseikonia. The principles behind this demonstration are relative distance magnification (closer objects appear larger) and asymmetrical convergence (the target is not an equal distance from each eye). [citation needed]
A close up look at the head of a North Atlantic right whale, Koala, off the Florida coast in January 2025. Photos taken under NOAA research permit 26562. Mariners or beachgoers can report whale ...
The effect is especially noticeable the closer the camera is to the subject, as its amount increases the shorter the focal length is at the same field size. One notable director that frequently employs rectilinear ultra wide angle lenses in order to achieve a distinctive signature style defined by extreme perspective distortion is Terry Gilliam.