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Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
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Concertino for bassoon and strings, Op. 27b (1964/1992) 5 Epigrams for bassoon solo Op. 51 (1973) Divertimento for bassoon and violoncello, Op. 62 (1978) Gordon Jacob: Concerto for bassoon, strings and percussion; Four Sketches for bassoon; Partita for bassoon; Paul Jeanjean: Prelude and Scherzo for bassoon and piano (1911) André Jolivet:
A Song from the Heart, (2007) Variations and Fugue on a Theme of Brahms, (2011) Eternal Spring; Concerto for Trumpet and Piano. Original version called Quintet for Trumpet and Strings (Also called Concerto for Trumpet and Strings)
It is the most frequently performed work in the solo bassoon repertoire. [1] Osborne recorded the rhapsody in collaboration with Sol Schoenbach for a 1952 radio program of contemporary American music run by WNYC in New York. The piece's working title was "Study for Bassoon", but Osborne intended to make it playable on clarinet as well.
Dead Elvis, also known as Develvis for Solo Bassoon and Chamber Ensemble (1993) by American composer Michael Daugherty, is a 10-minute, single-movement work inspired by the King of Rock-n-Roll, Elvis Presley. Dead Elvis was commissioned by bassoonist Charles (Chuck) Ullery and The Grand Tetons Festival, and Richard Pittman/Boston Musica Viva ...
The first song to became "popular" through a national advertising campaign was "My Grandfather's Clock" in 1876. [3] Mass production of piano in the late-19th century helped boost sheet music sales. [3] Toward the end of the century, during the Tin Pan Alley era, sheet music was sold by dozens and even hundreds of publishing companies.
Leonard Sharrow (August 4, 1915 – August 9, 2004) was one of the foremost American bassoonists of the 20th Century. Born in New York City, he joined the NBC Symphony Orchestra when it was first organized, eventually becoming principal bassoonist (and recording the Mozart Bassoon Concerto with Arturo Toscanini in 1947); he also served in the U.S. Army in World War II.
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