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Many examples of Ming and Qing rhinoceros horn cups are held in museums and private collections, [35] and in recent years a number of rhinoceros horn cups have sold for large sums of money: a 17th-century cup sold for £80,000 in 2010 [38] a 17th-century cup sold for £300,000 in 2011 [39] 5 cups were valued at $1m to $1.5m in 2011 [40]
Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and understood by the Chinese people for thousand of years; they often influenced by nature, which include the fauna, the flora, landscape, and clouds.
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Porcelain products included tea and coffee services, dinner and dessert services, writing sets and ink pots, scent jars and pots, baskets, bed posts, porcelain plaques, figurines, animals, cabinet plates and cups. Patterns varied from regular geometric designs featuring brightly coloured reserves and simple gilding, through intricate neo-rococo ...
Tea saucer is a small plate with an indentation for a cup and a diameter of 6 inches (15 cm). A demi-tasse saucer, or coffee saucer is 4.5 inches (11 cm) in diameter. Soup plate has a diameter of 9 inches (23 cm), [7] a much deeper well and wide rim ("lip"). If the lip is lacking, as often seen in contemporary tableware, it is a "soup bowl".
Chinese dragons continued to be used in the Qing dynasty in the imperial and court clothing. [1] [12] The types of dragons and their numbers of claws were regulated and prescribed by the imperial court. [1] When Chinese dragons are enclosed in roundels, they are referred as tuanlong (团龙); they can also be enclosed in mandarin square (buzi ...
西清古鑒 contains over two hundred examples, and this is the most highly regarded of all Chinese bronzes. Dòu (豆): Sacrificial vessel (祭器) that was originally a food vessel. Flat, covered bowl on a long stem. Fǔ (簠): Rectangular dish, triangular in vertical cross-section. Always with a lid shaped like the dish.
Dish with opalescent blue and lavender splashed glazes, Jin dynasty (1115–1234) The glaze of Jun ware is always thick and opaque. It is often very thin or absent around the rim, but thick at the foot, where it typically leaves a small part uncovered. Both the light blue and purple colours are first seen in Chinese pottery in Jun wares.
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