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The artist calls her own works "imaginary portraits, dealing with the idea of childhood" [4] Her portraits are not portraits in the conventional sense, but rather constructed ones. "I make the person my own. A portrait allows the artist, as well as the viewer, the chance to mirror themselves in the other and to reflect on their own existence."
Abstract impressionism is an art movement that originated in New York City, in the 1940s. [1] [2] It involves the painting of a subject such as real-life scenes, objects, or people (portraits) in an Impressionist style, but with an emphasis on varying measures of abstraction. [2]
Examples are the sidewalk chalk drawings of Kurt Wenner and Julian Beever, [16] where the chalked image, the pavement, and the architectural surroundings all become part of an illusion. Art of this style can be produced by taking a photograph of an object or setting at a sharp oblique angle, then putting a grid over the photograph.
Diane Arbus (/ d iː ˈ æ n ˈ ɑːr b ə s /; née Nemerov; March 14, 1923 – July 26, 1971 [2]) was an American photographer. [3] [4] She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. [5]
At other times, portraits of individual features might be the focus of a composition such as the hands, eyes or part of the subject's torso. Head shots have become a popular style within portrait photography, particularly in the entertainment industry, where they are commonly used to showcase a subject's facial features and expressions.
John's Diner with John's Chevelle, 2007 John Baeder, oil on canvas, 30×48 inches. Photorealism is a genre of art that encompasses painting, drawing and other graphic media, in which an artist studies a photograph and then attempts to reproduce the image as realistically as possible in another medium.
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Impressionism was a 19th-century art movement characterized by visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.