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The artist calls her own works "imaginary portraits, dealing with the idea of childhood" [4] Her portraits are not portraits in the conventional sense, but rather constructed ones. "I make the person my own. A portrait allows the artist, as well as the viewer, the chance to mirror themselves in the other and to reflect on their own existence."
In addition to numerous group exhibitions, Sherman's work was the subject of solo exhibitions at the Stedelijk Museum in Amsterdam (1982), [75] Whitney Museum of American Art in New York (1987), [76] Kunsthalle Basel (1991), [77] Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1995), [78] the San Francisco Museum of Modern Art (1998 ...
Diane Arbus (/ d iː ˈ æ n ˈ ɑːr b ə s /; née Nemerov; March 14, 1923 – July 26, 1971 [2]) was an American photographer. [3] [4] She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. [5]
Yiadom-Boakye's work consists mostly of painted portraits of imaginary Black subjects. Her paintings are predominantly figurative, with raw and muted colors. The characteristic dark palette of her work is known for creating a feeling of stillness that contributes to the timeless nature of her subjects. [ 14 ]
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At other times, portraits of individual features might be the focus of a composition such as the hands, eyes or part of the subject's torso. Head shots have become a popular style within portrait photography, particularly in the entertainment industry, where they are commonly used to showcase a subject's facial features and expressions.
Jerry Norman Uelsmann (June 11, 1934 – April 4, 2022) was an American photographer.. As an emerging artist in the 1960s, Jerry Uelsmann received international recognition for surreal, enigmatic photographs (photomontages) made with his unique method of composite printing and his dedication to revealing the deepest emotions of the human condition.
Examples are the sidewalk chalk drawings of Kurt Wenner and Julian Beever, [16] where the chalked image, the pavement, and the architectural surroundings all become part of an illusion. Art of this style can be produced by taking a photograph of an object or setting at a sharp oblique angle, then putting a grid over the photograph.