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It is a single quatrain with external rhymes [5] that follow the pattern of AABB and with a trochaic metre, which is common in nursery rhymes. [6] The melody commonly associated with the rhyme was first recorded by composer and nursery rhyme collector James William Elliott in his National Nursery Rhymes and Nursery Songs (London, 1870), as outlined below: [7]
A nursery rhyme is a traditional poem or song for children in Britain and other European countries, but usage of the term dates only from the late 18th/early 19th century. The term Mother Goose rhymes is interchangeable with nursery rhymes. [1] From the mid-16th century nursery rhymes began to be recorded in English plays, and most popular ...
"Mary, Mary, Quite Contrary" is an English nursery rhyme. The rhyme has been seen as having religious and historical significance, but its origins and meaning are disputed. It has a Roud Folk Song Index number of 19626.
The rhyme is constructed of quatrains in trochaic tetrameter catalectic [3] (each line made up of four metrical feet of two syllables, with the stress falling on the first syllable in a pair; the last foot in the line missing the unstressed syllable), which is common in nursery rhymes. [4]
A postcard of the rhyme using Dorothy M. Wheeler's 1916 illustration Play ⓘ "Jack and Jill" (sometimes "Jack and Gill", particularly in earlier versions) is a traditional English nursery rhyme. The Roud Folk Song Index classifies the commonest tune and its variations as number 10266, [1] although it has been set to several others. The ...
The term "a-loffeing", they believe, was Shakespearean, suggesting that the rhyme is considerably older than the first printed versions. They then speculated that if this were true, it might have a folklore meaning and pointed to the connection between shoes and fertility, perhaps exemplified by casting a shoe after a bride as she leaves for her honeymoon, [3] or tying shoes to the departing ...
The cover of L. Leslie Brooke's Ring O' Roses (1922) shows nursery rhyme characters performing the game. The origins and earliest wording of the rhyme remain unknown. In many versions of the game, a group of children forms a ring, dances in a circle around one person, and then stoops or curtsies on the final line.
Iona and Peter Opie observed that, although the rhyme had remained fairly consistent, the game associated with it has changed at least three times including: as a forfeit game, a guessing game, and a dancing ring. [1] London Cries: A Muffin Man by Paul Sandby (c. 1759) In The Young Lady's Book (1888), Matilda Anne Mackarness described the game as: