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The word is also polysemous in French: a distinction must be made between the academic definition and the everyday meaning. In everyday language, the word can refer to anything to do with the supernatural. Some people use in French the term médiéval-fantastique to refer to high fantasy, but it is not a term used by academic critics.
Many artists have produced works which fit the definition of fantastic art. Some, such as Nicholas Roerich, worked almost exclusively in the genre, others such as Hieronymus Bosch, who has been described as the first "fantastic" artist in the Western tradition, [2] produced works both with and without fantastic elements, and for artists such as Francisco de Goya, fantastic works were only a ...
The late 19th century witnessed a new generation of writers, such as J.-H. Rosny aîné, utilizing science and pseudoscience for purely fictional purposes. [15] This marked a significant departure from their predecessors, who employed the conjectural element as a pretext, following in the footsteps of Savinian Cyrano de Bergerac's utopian, Jonathan Swift's satires, and Camille Flammarion's ...
The French term for this hypothetical custom is droit de cuissage (from cuisse: thigh). du jour lit. "of the day": said of something fashionable or hip for a day and quickly forgotten; today's choice on the menu, as soup du jour. [23]
Grotesque studies, Michelangelo Since at least the 18th century (in French and German, as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks.
The Paris International Festival of Fantastic and Science-Fiction Film (French: Festival international de Paris du film fantastique et de science-fiction) was a film festival hosted in France between 1972 and 1989. [1] The event was affiliated with film periodical L'Écran fantastique, and chaired by its Chief Editor Alain Schlockoff. [1]
Elements of the supernatural and the fantastic were an element of literature from its beginning. The modern fantasy genre is distinguished from tales and folklore which contain fantastic elements, first by the acknowledged fictitious nature of the work, and second by the naming of an author.
According to intellectual historian Jan E. Goldstein, the initial introduction of idée fixe as a medical term occurred around 1812 in connection with monomania. [1] The French psychiatrist Jean-Étienne Dominique Esquirol considered an idée fixe – in other words an unhealthy fixation on a single object – to be the principal symptom of monomania. [2]